Caspar David Friedrich: erinevus redaktsioonide vahel

Eemaldatud sisu Lisatud sisu
Oursana (arutelu | kaastöö)
37. rida:
File:Caspar_David_Friedrich_-_Mondaufgang_am_Meer_-_Google_Art_Project.jpg|''Kuutõus mere kohal'' (1822), 55 × 71 cm. [[Alte Nationalgalerie]], Berliin. <!--During the early 1820s, human figures appear with increasing frequency in the paintings. Of this period, Linda Siegel writes, "the importance of human life, particularly his family, now occupies his thoughts more and more, and his friends appear as frequent subjects in his art."-->
 
Image:Caspar David Friedrich 052- Graveyard under Snow - Museum der bildenden Künste.jpg|''Kalmistu lumes'' (1826), 31 × 25 cm. [[Museum der bildenden Künste]], [[Leipzig]].<!-- Friedrich sketched memorial monuments and sculptures for mausoleums, reflecting his obsession with death and the afterlife. He also created some of the funerary art in Dresden's cemeteries.-->
 
Image:Oak Tree in the Snow.jpg|''Tammepuu lumes'' (1829), 71 × 48 cm. [[Alte Nationalgalerie]], Berliin.<!-- Friedrich was one of the first artists to portray winter landscapes as stark and dead. His winter scenes are solemn and still—according to the art historian Hermann Beenken, Friedrich painted winter scenes in which "no man has yet set his foot".-->